AUTHORIZED DEALER OF THE FOLLOWING BRANDS
AudioQuest Cinnamon USB A to USB B Cable
In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it's just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth. Next came separate transport and DAC combos, which brought with it the attitude that "all S/PDIF digital audio cables sound the same..." until that too became disproved. Now the frontier has moved once again. Is digital audio really just ones and zeros? We don't believe so, and once you've had a chance to listen to Carbon USB, you won't think so either..
AudioQuest USB-C Adaptor Type C to A USB Adaptor
- Supports USB 2.0 and USB 3.0
- Connects Type-C devices to USB Type-A cables
- Enables charging and data transfer (synching)
AudioQuest Pearl USB A to B Micro Cable
In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it's just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth. Next came separate transport and DAC combos, which brought with it the attitude that "all S/PDIF digital audio cables sound the same..." until that too became disproved. Now the frontier has moved once again. Is digital audio really just ones and zeros? We don't believe so, and once you've had a chance to listen to Pearl USB, you won't think so either...
AudioQuest Forest USB A to C Cable
- indulgence Series
- High-quality Long Grain Copper solid-core conductors
- Lower distortion characteristics
- The directional cable which determines proper conductor orientation
- High-precision Wave Soldering
AudioQuest Cinnamon Lightning to USB
The 2.5' Cinnamon Lightning USB Cable from AudioQuest is designed with solid 1.25% silver conductors, and foamed-polyethylene insulation to ensure optimal performance. It features Apple's lightning connector, as on iOS devices, including the iPad with Retina display, the iPad Mini, and the iPhone 5.
Signal conductors controlled for digital-audio directionality
It also supports USB 3.0, which improves on USB 2.0's bandwidth by a full factor of 10, increasing maximum transfer speeds from 480 Mbps to 4.8 Gb/s for optimal sound quality.
AudioQuest Carbon USB A-Lightning to USB Cable
USB (Universal Serial Bus) Audio:
For many applications, the speed of digital communication is important. Most visibly, “speed” is about transferring large files as quickly as possible, or carrying enough data for an HD video. For USB audio (and for HDMI audio), “speed” is critical not because of how-much how-fast, but because time relationships within a digital stream are critical to the reconstruction of the analog wave form that brings information, music and joy to our ears. Time-based damage (jitter) to this information within the data package makes the sound small and flat instead of 3D, harsh and foggy instead of smooth and clear.
AudioQuest Cinnamon USB-A To Micro Cable
In 1982 Sony gave us "Perfect sound forever," along with the attitude that, "it's just digital, so all CD players sound the same." That was disproved and qualitative differences between players became accepted truth. Next came separate transport and DAC combos, which brought with it the attitude that "all S/PDIF digital audio cables sound the same..." until that too became disproved. Now the frontier has moved once again. Is digital audio really just ones and zeros? We don't believe so, and once you've had a chance to listen to Cinnamon USB, you won't think so either...
AudioQuest Forest Lightning to USB A Cable
USB (Universal Serial Bus) Audio:
For many applications, the speed of digital communication is important. Most visibly, “speed” is about transferring large files as quickly as possible, or carrying enough data for an HD video. For USB audio (and for HDMI audio), “speed” is critical not because of how-much how-fast, but because time relationships within a digital stream are critical to the reconstruction of the analog wave form that brings information, music and joy to our ears. Time-based damage (jitter) to this information within the data package makes the sound small and flat instead of 3D, harsh and foggy instead of smooth and clear.
